{"id":238318,"date":"2026-11-04T15:26:07","date_gmt":"2026-11-04T13:26:07","guid":{"rendered":"https:\/\/www.vilnius-events.lt\/?post_type=event&p=238318"},"modified":"2026-11-04T15:26:07","modified_gmt":"2026-11-04T13:26:07","slug":"lt-premjera-judesio-spektaklis-vienat-en-vienat-movement-based-performance-ru-premjera-judesio-spektaklis-vienat-re-isier-ir-choreograf-agnija-eiko","status":"publish","type":"event","link":"https:\/\/www.vilnius-events.lt\/en\/event\/vienat-movement-based-performance\/","title":{"rendered":"Vienat | Movement-based performance"},"content":{"rendered":"

The movement-based performance Vienat\u00a0<\/em>reflects on humanity\u2019s constant journey towards self-destruction in its quest for happiness and harmony, and on its unique ability to continually rebuild itself in the wake of catastrophes. The creators of the performance turn to memory and the human body as a witness to history.<\/strong><\/p>\n

The title of the performance, the obsolete word \u2018vienat\u2019, is found in Danielius Klein\u2019s 17th-century grammar and is a synonym for the adverbs \u2018always\u2019 and \u2018forever\u2019; it is thus associated with wholeness, permanence, continuity and uninterruptedness.<\/p>\n

The narrative of the performance is constructed through movement and associations, eschewing the spoken word as the primary tool \u2013 here, it is the body, space and rhythm that speak. Associations take precedence over plot, and presence over motifs. Movement does not merely illustrate, but reveals what often lies beneath cultural layers \u2013 the living and vulnerable human being.<\/p>\n

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Agnija \u0160eiko \u2013 choreographer, dancer, teacher and founder of the <\/em>\u0160eiko Dance Theatre.\u00a0Her work is characterised by its interdisciplinary nature, a sensitive approach to social issues, site-specific art practices, and the integration of contemporary dance with music, the visual arts and technology. Alongside dance performances, she also creates dance operas, performances, performance-tours, and musical and theatrical productions. She has created more than thirty productions across various genres, including: <\/em>Izadora\u00a0(2008), <\/em>Dykra\u00a0(2011), <\/em>D\u017eiuljetos\u00a0(2012), <\/em>Dior in Moscow\u00a0(2016), <\/em>Seasons\u00a0(2017), <\/em>Blown Away (2019), <\/em>Oneiro (2020), <\/em>Indigo. Das Schliemann Projekt\u00a0(2022) and <\/em>Onos\u00a0(2025).<\/em><\/p>\n

The choreographer\u2019s works have been widely presented in Lithuania and abroad. A. \u0160eiko\u2019s work has been recognised with four Golden Stage Crosses (2009, jointly with others; 2013, 2019, 2023). She has also been awarded the B. Dauguvietis Earring (2016), the Culture and Arts Prize of the Government of the Republic of Lithuania (2021), the Order For Merits to Lithuania\u00a0(2022) and the French Order of Arts and Letters (2026).<\/em><\/p>\n

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